Funny pages pdf archive4/12/2023 ![]() ![]() Which makes it all the more frustrating that his debut ends so abruptly as to feel incomplete, excusing itself before anything can be done with its hard-won insights. Kline has a sober and self-aware perspective, a winningly off-kilter sense of humor, and a scuzzy yet sumptuous aesthetic (informed in large part by cinematographer Sean Price Williams), well on his way to being the capital-F Filmmaker suggested by his onscreen avatar’s ambitions. His response is a consistently funny yet narratively undercooked coming-of-age story that ends before our boy Robert ( Daniel Zolghadri, the peer-pressuring creep from “Eighth Grade”) can come of age. READ MORE: Cannes Film Festival 2022 Preview: 25 Must-See Films To Watchīorn into the Hollywood firmament with Kevin Kline and Phoebe Cates for parents, having made an auspicious entrée to screen acting at age fourteen as a furtive masturbator in “The Squid and the Whale,” he now faces the daunting question of what to do with all the advantages he’s been granted by circumstance. They’re also producers on “Funny Pages,” the new film written and directed by Owen Kline, a guy who knows a thing or two about the limitations of privilege. These charges have been frequently levied against Benny and Josh Safdie, oddballs from a somewhat well-heeled background insinuating themselves in the grubbiest pockets of subculture New York has to offer. He ventures out into the big bad world in search of something to put a bit of hair on his creative chest, only to face the spiny question of whether this effort to get real is just class tourism, a jaunt in the gutter that one phone call to Dad could prevent. ![]() ![]() It’s the plight of the plightless: a kid from a comfortable, upper-middle-class background wants to be some manner of artist, except that he’s (and it does seem to be a he more often than not) bereft of the experience, grit, or outsider credibility that define the role models he hopes he could one-day call influences. ![]()
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